Essential texts on the work of the influential artist Michael Snow: essays and interviews spanning more than four decades. Few filmmakers have had as large an impact on the recent avant-garde film scene as Canadian Michael Snow (b. 1928). His works in a range of media—film, installation, video, painting, sculpture, sound, photography, drawing, writing, and music—address the fun...(展开全部)

这是一部描写在日常生活中猫与人类之间相互关系的幽默故事， 我们的主人公麦克，毫无疑问是只猫， 但故事同样也反映了人类的态度。 在故事中，猫似乎成了反映人类着“超级物种”的一面镜子。 一天，麦克出现在漫画家小林的家中。 即使从那一天起，小林和他的妻子便开始尽力与麦克相处， 猫想上他自己的事情，而人类则时时要改变它，这便是故事矛盾的主线。 麦克仅是一只不同的猫。 自由，冷漠而懒散，身边围绕着那些来去匆匆的人类。 而作为猫，他也有自己的事情要处理，与凶猛的母猫猫斯拉相处就是一个例子。 猫斯拉甚至连狗都惧怕她三分，更不要说麦克了。 但麦克还有他惟恐避之不及的事情，那就是孩子的玩弄。 故事当中有很多情节都将猫拟人化，例如，我们经常可以看到他们在一起开会或踢球等等……

简介：来自tt语音的灵感

简介：来自tt语音的灵感

A Distillation of The Most Important Business Thinking of Our Time Michael Porter's groundbreaking ideas on competition and strategy have unfolded over three decades and are spread across a dauntingly long list of publications. Every manager can name individual pieces of his work-competitive advantage, the value chain, five forces-but no one, not even Porter himself, ...(展开全部)

What is striking about the paintings by Michaël Borremans (*1963 in Geraardsbergen) is a technique that is almost like that of an Old Master. The Belgian artist is a virtuoso in his use of a reduced, melancholic palette of beiges, browns, and grays. As seductive as the aesthetics of the works may be, their contents are nonetheless disturbing and difficult to decipher. His paint...(展开全部)

A Distillation of The Most Important Business Thinking of Our Time Michael Porter's groundbreaking ideas on competition and strategy have unfolded over three decades and are spread across a dauntingly long list of publications. Every manager can name individual pieces of his work-competitive advantage, the value chain, five forces-but no one, not even Porter himself, ...(展开全部)

What is striking about the paintings by Michaël Borremans (*1963 in Geraardsbergen) is a technique that is almost like that of an Old Master. The Belgian artist is a virtuoso in his use of a reduced, melancholic palette of beiges, browns, and grays. As seductive as the aesthetics of the works may be, their contents are nonetheless disturbing and difficult to decipher. His paint...(展开全部)

「我一直不喜歡布景、服裝、化妝、還有一堆工作人員。我最中意的其實是排練場燈光、暫代的道具、演員身穿他們的排練服。此時我們的想像力才得以參與創造。一旦道具化妝服裝通通就位，一切就成了事實。而事實，只會限制我們。」 ....英瑪．柏格曼

刚刚成为广告人的女孩大猫儿，迎面遭遇安全套的广告策划，传统的思想正面撞击超强性文化，一个未婚少女如何应对这样雷死人的文案？思想前卫的客户时时搅局，雷厉风行的主管步步刁难。冏事不断，羞事连连。关键时刻她不得不向她那些狐朋狗友求助，这帮慵懒而奔放的都市时尚男女非但帮不上她的忙，反而让她成了开涮的佐料。真可谓是山穷水尽疑无路，呼天呛地无人帮。工作中的遭遇可谓刀山火海，情感的遭遇也谓之苦大仇深，看上眼的靓男牵手相依却在关键时候掉链子，看不上的衰男狂甩不掉像一帖狗皮膏粘住没完…… 衰男靓女加时尚，工作生活拌爱情，轰轰烈烈地演绎出一段啼笑姻缘和奋斗史，几多时尚几多爱，几多无奈几多笑……